![]() The Mennonites advocated personal interpretation of scripture, which probably influenced Rembrandt’s subjective and often moving treatment of biblical subjects. In securing commissions, the artist was assisted by the Mennonite art dealer Hendrick Uylenburgh, whose cousin Saskia married Rembrandt in 1634. In Amsterdam, Rembrandt became a prominent portraitist, attracting attention with dramatic compositions like The Anatomy Lesson of Dr. ![]() His many pupils included Gerrit Dou, Govert Flinck, Ferdinand Bol, Nicolaes Maes, and Carel Fabritius. It was also this program, in good part, that made Rembrandt a great teacher. Despite the constant evolution of his style, Rembrandt’s compelling descriptions of light, space, atmosphere, modeling, texture, and human situations may be traced back even from his late works (such as The Jewish Bride, Rijksmuseum, Amsterdam) to the foundations of his Leiden years. Even by Dutch standards, Rembrandt’s preoccupation with direct observation was exceptional and continued throughout his career. ![]() However, a crucial aspect of Rembrandt’s development was his intense study of people, objects, and their surroundings “ from life,” as is obvious in paintings like his early self-portraits and the Saint Paul in Prison of 1627 (Staatsgalerie, Stuttgart). In the Leiden period, Rembrandt also responded strongly to earlier Netherlandish artists such as Lucas van Leyden (ca. Rembrandt never went abroad, but he voraciously surveyed the work of Northern artists who had lived in Italy, like Lastman, the Utrecht painter Gerrit van Honthorst (Rembrandt’s main link to Caravaggio), Anthony van Dyck, and-mostly through prints-Adam Elsheimer and Peter Paul Rubens. 1624) with the influential history painter Pieter Lastman. A prolific painter, draftsman, and etcher, Rembrandt van Rijn is usually regarded as the greatest artist of Holland’s “Golden Age.” He worked first in his native Leiden and, from 1632 onward, in Amsterdam, where he had studied briefly (ca. ![]()
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